Phew – an amazingly busy time, with thanks to our recent mastering clients and their diverse array of new releases:
Tony “Jack the Bear” Mantz has been busy mastering projects for Slop Rock, Blind Munkee, Little Miss, My Old Dutch, Destroy She Said, Wikked Bliss, Fuck The Fitzroy Doom Scene, The Seven Ups, Andras Fox, Feedback Scars, Aerial, Luna Ghost, as well as getting ready to get his skydiving licence…
Adam Dempsey mastered releases for Olivers Army (engineered & mixed by Roger Bergodaz), post-rock trio Goodbye Enemy Airship (engineered & mixed by Neil Thomason at Head Gap), Tania Bosak & The Barefoot Orchestra (engineered & mixed by Myles Mumford), hip hop artist Bam Bam (mixed by Phil Threlfall), The Bon Scotts, Eleanor Dunlop, Jadida, James Parry, Ellen Burbidge, Chris Sprake, The Infants, vinyl remasters for CactusDemonDoom and winners of this year’s Australian Battle of the Bands Dear Plastic, a remix for Allday, and a Daktyl (UK) remix for Youngs (formerly I’ll Be An Indian).
Andrei Eremin has continued working on the upcoming Miami Horror record, as well as mastering a new single for recent triple J Unearthed High winner Japanese Wallpaper, a #1 Hype Machine hit by Brisbane singer-songwriter Wafia, and new music from Oisima, I’lls, Leaks, Foreign/National, Sunbeam Sound Machine, Stockades, Katie Wighton, Milwaukee Banks and more.
Here at Deluxe Mastering we found ourselves EQ’ing with two hands again using the Sontec MES-432 mastering EQ while the stereo-ganged 6-band Sontec MES-462 EQ was out for a week being serviced. The 432 was formerly owned by US mastering engineer Joe Gastwirt, and the 462 from Frankford Wayne Mastering, NYC – both are original units used extensively on countless hit records.
While collecting his US double platinum plaque for The Neighbourhood, Tony “Jack the Bear” Mantz has also been finishing off projects for My Old Dutch, Sidewalk Diamonds, The Moonmen, Buck Yeah, Stray Melodics, La Mar, Captive, Spencer P Jones, Myyth, Headclouds and a double mix CD for international DJ / producer Hernan Cattaneo for the on-going Balance series.
Adam Dempsey has been mastering releases for Tiny Little Houses (getting TripleJ love and debuting at No. 10 on the AMRAP AirIt Charts), Les Thomas, harlequin., Suzanne Kinsella, Kirsty Moore, Linus Wilson, Michael Plater, Patches, Elephant Ego, From Trees, The Harlots, Jarred Doueal, Vexed City, and preparing vinyl premasters for Sticky Fingers’ album ‘Caress Your Soul’ that he mastered last year.
June/July has been especially packed for Andrei Eremin, mastering new releases for Miami Horror, Millions, Klo, Closure In Moscow, Japanese Wallpaper, Rat & Co, Leaks, Ali Barter, Lower Spectrum, Brightly, Planète, Super Magic Hats, CastleRays, Skyways Are Highways, plus a remix album for Tomcat and a demonstration video for Sam Hirschfelder, Chet Faker’s very talented drummer.
Tony “Jack the Bear” Mantz has been polishing off new projects for L.A production team 4e, Cairo Knife Fight, Pretty City, Super Zero Monkey, Jim Keays (R.I.P.), The Neighbourhood (now sold 2 million copies), Contagious, Clockwork, Dead Bear, Head Clouds, House of Honeys, Sunset Blush, and Lemonberry.
Adam Dempsey has been editing and mastering a live album from Xavier Rudd (mixed at Sing Sing by Simon Keet), and mastering releases from La Rumba, Jack On Fire, the long-awaited
sophomore second album from post-rock instrumental trio The Boats, Bronwyn Rose, Freedom (formerly the Merri Creek Pickers), The Perfections, Damon Smith, Matt Glass, Dear Plastic, Big Smoke, Noah Earp, Smiles.Rifles, Tinsmoke and a Philemon/ZedEppelin remix.
Andrei Eremin broke out the resident Ampex ATR-102 for transfer of an experimental 2-track vinyl by Melbourne electronic act I’lls. The standard polish was given to new music from Oscar Key Sung & Guerre, Leisure Suite, SMILE, Lower Spectrum, JP Klipspringer, Naminé, Martin King and Telling, as well as remixes and promos from regulars Rat & Co and Milwaukee Banks.
Melbourne rapper Seth Sentry’s debut album ‘This Was Tomorrow’ has been accredited Gold status by ARIA – a rare, yet worthy feat for an independent release! Our congrats to Seth, his independent label High Score Records, and all involved with the album.
Nominated for a 2013 ARIA Award, ‘This Was Tomorrow’ was mixed by Phil Threlfall at The Base Studios, Melbourne, and mastered by Adam Dempsey (separately for CD, online, and 12 inch vinyl).
With thanks to our recent clients and an amazing array of projects:
Tony “Jack the Bear” Mantz has mastered new projects for Dallas Crane, Damn The Maps, Electro Mafia, King of the North (for CD and vinyl), Royston Vasie, N’fa (for vinyl), Cornershop Kids, The Neighbourhood, Ten Cent Pistols, and more.
The Jack the Bear Foundation has had a another very successful mastering drive. Thanks to clients’ generosity and support we managed to raise $800 for Free To Shine to help them with their amazing and dedicated work in helping combat sex trafficking.
Adam Dempsey has been mastering new releases for Dark Fair, Dear Plastic (both recorded and mixed at Head Gap), Demi Louise (engineered and mixed by Neil Gray), the second solo album from Nick Batterham (set for release via Popboomerang Records), jazz trio Harry Coulson’s Raindogs (engineered and mixed by Jez Giddings at Hot House), Al Parkinson, Emilee South (both tracked & mixed by Fraser Montgomery at The Aviary), Rising Tide (recorded & mixed by Myles Mumford), Emily Soon, Modesty, DD & The Damaged Goods, Taxidermy Hall (digital and 7 inch release), Buddha In A Chocolate Box, Colour For The Grey, Sienna Wild, Melbourne Guitar Quartet, and Daniel Champagne (engineered & mixed by Sam Hannan at The Alley).
Andrei Eremin has remastered a track by Japanese Wallpaper to feature in an upcoming film “Wish I Was Here” by Zach Braff, as well as new tunes by Rat & Co, Fractures, Klo, Martin King, Milwaukee Banks, House Of Laurence, Boats, The Ship Shape, DXHeaven and Return To Youth.