Shop
Melbourne rapper Seth Sentry’s debut album ‘This Was Tomorrow’ has been accredited Gold status by ARIA – a rare feat for an independent release! Our congrats to Seth, his independent label High Score Records, and all involved with the album.
Nominated for a 2013 ARIA Award, ‘This Was Tomorrow’ was mixed by Phil Threlfall at The Base Studios, Melbourne, and mastered by Adam Dempsey (separately for CD, online, and 12 inch vinyl).
Check out the video clip below for Seth Sentry’s single ‘Vacation’.
More: Seth Sentry’s Debut LP ‘This Was Tomorrow’ Achieves Gold Status
Melbourne rapper Seth Sentry’s debut album ‘This Was Tomorrow’ has been accredited Gold status by ARIA – a rare feat for an independent release! Our congrats to Seth, his independent label High Score Records, and all involved with the album.
Nominated for a 2013 ARIA Award, ‘This Was Tomorrow’ was mixed by Phil Threlfall at The Base Studios, Melbourne, and mastered by Adam Dempsey (separately for CD, online, and 12 inch vinyl).
Check out the video clip below for Seth Sentry’s single ‘Vacation’.
More: Seth Sentry’s Debut LP ‘This Was Tomorrow’ Achieves Gold Status
Shop
With thanks to our recent clients and an amazing array of projects:
Tony “Jack the Bear” Mantz has mastered new projects for Dallas Crane, Damn The Maps, Electro Mafia, King of the North (for CD and vinyl), Royston Vasie, N’fa (for vinyl), Cornershop Kids, The Neighbourhood, Ten Cent Pistols, and more.
The Jack the Bear Foundation has had a another very successful mastering drive. Thanks to clients’ generosity and support we managed to raise $800 for Free To Shine to help them with their amazing and dedicated work in helping combat sex trafficking.
Adam Dempsey has been mastering new releases for Dark Fair, Dear Plastic (both recorded and mixed at Head Gap), Demi Louise (engineered and mixed by Neil Gray), the second solo album from Nick Batterham (set for release via Popboomerang Records), jazz trio Harry Coulson’s Raindogs (engineered and mixed by Jez Giddings at Hot House), Al Parkinson, Emilee South (both tracked & mixed by Fraser Montgomery at The Aviary), Rising Tide (recorded & mixed by Myles Mumford), Emily Soon, Modesty, DD & The Damaged Goods, Taxidermy Hall (digital and 7 inch release), Buddha In A Chocolate Box, Colour For The Grey, Sienna Wild, Melbourne Guitar Quartet, and Daniel Champagne (engineered & mixed by Sam Hannan at The Alley).
Andrei Eremin has remastered a track by Japanese Wallpaper to feature in an upcoming film “Wish I Was Here” by Zach Braff, as well as new tunes by Rat & Co, Fractures, Klo, Martin King, Milwaukee Banks, House Of Laurence, Boats, The Ship Shape, DXHeaven and Return To Youth.
With thanks to our recent clients and an amazing array of projects:
Tony “Jack the Bear” Mantz has mastered new projects for Dallas Crane, Damn The Maps, Electro Mafia, King of the North (for CD and vinyl), Royston Vasie, N’fa (for vinyl), Cornershop Kids, The Neighbourhood, Ten Cent Pistols, and more.
The Jack the Bear Foundation has had a another very successful mastering drive. Thanks to clients’ generosity and support we managed to raise $800 for Free To Shine to help them with their amazing and dedicated work in helping combat sex trafficking.
Adam Dempsey has been mastering new releases for Dark Fair, Dear Plastic (both recorded and mixed at Head Gap), Demi Louise (engineered and mixed by Neil Gray), the second solo album from Nick Batterham (set for release via Popboomerang Records), jazz trio Harry Coulson’s Raindogs (engineered and mixed by Jez Giddings at Hot House), Al Parkinson, Emilee South (both tracked & mixed by Fraser Montgomery at The Aviary), Rising Tide (recorded & mixed by Myles Mumford), Emily Soon, Modesty, DD & The Damaged Goods, Taxidermy Hall (digital and 7 inch release), Buddha In A Chocolate Box, Colour For The Grey, Sienna Wild, Melbourne Guitar Quartet, and Daniel Champagne (engineered & mixed by Sam Hannan at The Alley).
Andrei Eremin has remastered a track by Japanese Wallpaper to feature in an upcoming film “Wish I Was Here” by Zach Braff, as well as new tunes by Rat & Co, Fractures, Klo, Martin King, Milwaukee Banks, House Of Laurence, Boats, The Ship Shape, DXHeaven and Return To Youth.
Shop
Our congrats to Chet Faker and to Sticky Fingers – both internationally voted into Triple J’s annual Hottest 100. Mastered by Andrei Eremin and Adam Dempsey, respectively.
Shop
From all of us at Deluxe Mastering: a happy, safe, and musically prosperous new year and many thanks to all artists we’ve been privileged to work with this year.
Tony “Jack the Bear” Mantz has put finishing touches to projects by Jeff Lang, Charles Jenkins, Jack Howard (from Hunters & Collectors), Voodoo Cain, Bonney Read, The Neighbourhood, Lizard Man, Creo, Insygnia, Tully on Tully and a cast of thousands…
Adam Dempsey has been mastering new releases for Kavisha Mazzella & Andy White, Lisa Salvo (engineered and mixed by Joe Talia), Taylor Project, Nick Batterham, Invisible Dears, Philemon, CactusDemonDoom, Glasfrosch, Yeo, Emily Soon, a solo album for Cat Canteri (of The Stillsons, engineered by Craig Pilkington), and more new music from Hoodlem.
Andrei Eremin has been immersed in more Melbourne electronica such as I’lls, an Oscar Key Sung bonus track, new Rat & Co, Leaks, Lower Spectrum, Shunya, Big Creature, DXHeaven, Alvy Singer and IO, as well as some good old fashioned metal by the likes of Sirens, Shadowgame and Yachtburner.
Adam’s tips of the year for DIY’ers:
- • Simply allow yourself time to live with your mixes a bit prior to mastering (and certainly prior to booking your launch).
- • Listen back freshly and carefully to your exported digital mixes, rather than just exporting and sending/uploading to mastering.
- • If you’re releasing music independently in Australia and you’re not yet part of the AMRAP AirIt initiative (for national distribution to independent radio) get onto it! amrap.com.au
From all of us at Deluxe Mastering: a happy, safe, and musically prosperous new year and many thanks to all artists we’ve been privileged to work with this year.
Tony “Jack the Bear” Mantz has put finishing touches to projects by Jeff Lang, Charles Jenkins, Jack Howard (from Hunters & Collectors), Voodoo Cain, Bonney Read, The Neighbourhood, Lizard Man, Creo, Insygnia, Tully on Tully and a cast of thousands…
Adam Dempsey has been mastering new releases for Kavisha Mazzella & Andy White, Lisa Salvo (engineered and mixed by Joe Talia), Taylor Project, Nick Batterham, Invisible Dears, Philemon, CactusDemonDoom, Glasfrosch, Yeo, Emily Soon, a solo album for Cat Canteri (of The Stillsons, engineered by Craig Pilkington), and more new music from Hoodlem.
Andrei Eremin has been immersed in more Melbourne electronica such as I’lls, an Oscar Key Sung bonus track, new Rat & Co, Leaks, Lower Spectrum, Shunya, Big Creature, DXHeaven, Alvy Singer and IO, as well as some good old fashioned metal by the likes of Sirens, Shadowgame and Yachtburner.
Adam’s tips of the year for DIY’ers:
- • Simply allow yourself time to live with your mixes a bit prior to mastering (and certainly prior to booking your launch).
- • Listen back freshly and carefully to your exported digital mixes, rather than just exporting and sending/uploading to mastering.
- • If you’re releasing music independently in Australia and you’re not yet part of the AMRAP AirIt initiative (for national distribution to independent radio) get onto it! amrap.com.au
Shop
Tony “Jack the Bear” Mantz kept himself off the streets mastering albums for King Of The North, Hive Park (mixed by Jimi Maroudas), New Gods, Dirtland, Seven Hurtz, Torch The Village and Last Mistress as well as EPs and singles for My Pirahna, Rich Davies, Electro Mafia, Lizard Man, ALTA, Lemonberry, EC Twins, The Bellastrades and The Black Alley, as well as continuing to raise funds for charity through The Jack the Bear Foundation.
Adam Dempsey mastered new releases for Matt Walker & The Lost Ragas, Yeo, Dear Plastic, The Dark Fair, Blin (produced with Matt Walker), Al Parkinson, Buddha In A Chocolate Box (both engineered by Fraser Montgomery at The Aviary studios), Youngs (lucky winners of Triple R’s Radiothon band prize), and compiling parts for Loon Lake’s latest album.
Also a shout out to Seth Sentry, mix engineer Phil Threlfall and all involved in Seth’s album “This Was Tomorrow” – ARIA Award nominated for Best Urban Album, as well as taking the gong for Best Independent Hip Hop Album at the Australian Independent Music Awards!
Andrei Eremin mastered projects for Oscar Key Sung, Fractures, Ben Wright Smith, Japanese Wallpaper, Luskin, Sons et al. and House Of Laurence.
Tony “Jack the Bear” Mantz kept himself off the streets mastering albums for King Of The North, Hive Park (mixed by Jimi Maroudas), New Gods, Dirtland, Seven Hurtz, Torch The Village and Last Mistress as well as EPs and singles for My Pirahna, Rich Davies, Electro Mafia, Lizard Man, ALTA, Lemonberry, EC Twins, The Bellastrades and The Black Alley, as well as continuing to raise funds for charity through The Jack the Bear Foundation.
Adam Dempsey mastered new releases for Matt Walker & The Lost Ragas, Yeo, Dear Plastic, The Dark Fair, Blin (produced with Matt Walker), Al Parkinson, Buddha In A Chocolate Box (both engineered by Fraser Montgomery at The Aviary studios), Youngs (lucky winners of Triple R’s Radiothon band prize), and compiling parts for Loon Lake’s latest album.
Also a shout out to Seth Sentry, mix engineer Phil Threlfall and all involved in Seth’s album “This Was Tomorrow” – ARIA Award nominated for Best Urban Album, as well as taking the gong for Best Independent Hip Hop Album at the Australian Independent Music Awards!
Andrei Eremin mastered projects for Oscar Key Sung, Fractures, Ben Wright Smith, Japanese Wallpaper, Luskin, Sons et al. and House Of Laurence.
Shop
Amidst computer and software upgrades here at Deluxe Mastering (described by Adam Dempsey as “faster, quieter, RAM-er, better-er”), Tony “Jack the Bear” Mantz has been mastering for Captain Midnite, Pharoah’s Playground, Indiago, Moonshifter, Artemis, Pretty City, Torch The Village, the USA’s Jonny Craig, Modavia, Riki Lindsey, Mez Yasumo and Scwat.
Adam Dempsey has mastered releases for The Bon Scotts, Charlie Lim, Matt Bailey (produced by Brent Punshon, engineered and mixed by Neil Thomason at Head Gap studios), Osh10 (mixed by Myles Mumford in Swaziland), Matt Glass (tracked and mixed by Fraser Montgomery at The Aviary), Hunting Bears (NZ), The Morrisons for CD and vinyl, Andy Lacy, The Critique, another single for Hoodlem, and this year’s NMIT Bachelor of Music triple album compilation, with producers including Greg Arnold, David Haberfeld, Shane O’Mara, Andy White and Peter Farnan.
Adam also congratulates Melbourne band I’ll Be An Indian – winners of this year’s Triple R Radiothon Band Prize for mastering.
Andrei Eremin has been mastering for Brightly, Squarehead, Banoffee, Milwaukee Banks, Sex On Toast and Lower Spectrum.
Amidst computer and software upgrades here at Deluxe Mastering (described by Adam Dempsey as “faster, quieter, RAM-er, better-er”), Tony “Jack the Bear” Mantz has been mastering for Captain Midnite, Pharoah’s Playground, Indiago, Moonshifter, Artemis, Pretty City, Torch The Village, the USA’s Jonny Craig, Modavia, Riki Lindsey, Mez Yasumo and Scwat.
Adam Dempsey has mastered releases for The Bon Scotts, Charlie Lim, Matt Bailey (produced by Brent Punshon, engineered and mixed by Neil Thomason at Head Gap studios), Osh10 (mixed by Myles Mumford in Swaziland), Matt Glass (tracked and mixed by Fraser Montgomery at The Aviary), Hunting Bears (NZ), The Morrisons for CD and vinyl, Andy Lacy, The Critique, another single for Hoodlem, and this year’s NMIT Bachelor of Music triple album compilation, with producers including Greg Arnold, David Haberfeld, Shane O’Mara, Andy White and Peter Farnan.
Adam also congratulates Melbourne band I’ll Be An Indian – winners of this year’s Triple R Radiothon Band Prize for mastering.
Andrei Eremin has been mastering for Brightly, Squarehead, Banoffee, Milwaukee Banks, Sex On Toast and Lower Spectrum.