With thanks to our recent clients and an amazing array of projects:
Tony “Jack the Bear” Mantz has mastered new projects for Dallas Crane, Damn The Maps, Electro Mafia, King of the North (for CD and vinyl), Royston Vasie, N’fa (for vinyl), Cornershop Kids, The Neighbourhood, Ten Cent Pistols, and more.
The Jack the Bear Foundation has had a another very successful mastering drive. Thanks to clients’ generosity and support we managed to raise $800 for Free To Shine to help them with their amazing and dedicated work in helping combat sex trafficking.
Adam Dempsey has been mastering new releases for Dark Fair, Dear Plastic (both recorded and mixed at Head Gap), Demi Louise (engineered and mixed by Neil Gray), the second solo album from Nick Batterham (set for release via Popboomerang Records), jazz trio Harry Coulson’s Raindogs (engineered and mixed by Jez Giddings at Hot House), Al Parkinson, Emilee South (both tracked & mixed by Fraser Montgomery at The Aviary), Rising Tide (recorded & mixed by Myles Mumford), Emily Soon, Modesty, DD & The Damaged Goods, Taxidermy Hall (digital and 7 inch release), Buddha In A Chocolate Box, Colour For The Grey, Sienna Wild, Melbourne Guitar Quartet, and Daniel Champagne (engineered & mixed by Sam Hannan at The Alley).
Andrei Eremin has remastered a track by Japanese Wallpaper to feature in an upcoming film “Wish I Was Here” by Zach Braff, as well as new tunes by Rat & Co, Fractures, Klo, Martin King, Milwaukee Banks, House Of Laurence, Boats, The Ship Shape, DXHeaven and Return To Youth.