Tag: Online mastering

With thanks to our clients who’ve kept us busy mastering brilliant music for CD, online & vinyl releases:

Tony “Jack the Bear” Mantz has been mastering for David Cosma, Giulietta, Fort-Deez, While The City Sleeps, Impossible Odds, Roots of Redemption, Liam Burrows, Indonesian popsters Nidji, debut albums for Rich Davies & Tomcat, The Immigrants’ debut EP, an EP for Violet Town, a new album for Howl At The Moon, Thomas Keft’s mini-album, another installment in the Balance series mixed by Deetron and metal dood Stick To The Shallows, and A Sleepless Winter (produced by Confession’s Dan Brown).

Adam Dempsey’s been mastering releases including The Bon Scotts, Jackson Jackson, The Orbweavers (engineered & mixed by Casey Rice – & Triple R Album of the Week), a solo album for Danny Widdicombe (of The Wilson Pickers, mixed by Magoo), EPs for Tim Reid (mixed by Ross Calia) and Kieran Christopherson (mixed by Matt D’arcy at Basin Productions), debut release for Kodo Motif (mixed by Todd Dixon), The Broken Splendour (mixed by Tony Salter), Crooked Saint (Tim Wheatley, part engineered by Finn Keane at Hothouse & mixed by Michael Badger of The Demon Parade), Al Parkinson, singles for Butcher Blades/, CD & 10 inch vinyl for The Velocettes, vinyl masters also for Plastic Palace Alice, Trappist Afterland, Pre-Unit, plus a compilation for community arts organisation Roarhouse Melbourne.

Here’s an album Adam mastered for Danny Widdicombe (of ARIA Award-winning The Wilson Pickers)… Inspiring work in challenging times, recorded during chemotherapy treatment (literally) – it’s a GREAT album ‘Find Someone’, mixed by Magoo, and we sincerely wish Danny all the best in his recovery:

For more check out Danny’s Facebook page:
facebook.com/dannywiddicombe

Gearing up for springtime in Australia’s music capital, Tony “Jack the Bear” Mantz has been mastering releases for The Fuzzbirds, Blind Munkee, Cave of the Swallows, Dirty Radio, Jonesez, Brackets, Thrall, Larry K (mixed by James Frew), Bitter Sweet Kicks, The Irresponsibles, Radio Ink, Rainshadow, Burgworth, The Sunny Days, The Hired Guns, new Jessica Mauboy single (remixed by US producer Rac), a live album for Autumn Gray (Canada) complete with 40 piece symphony orchestra and mixed by Jimi Maroudas, and new album for Jeff lang including a bonus disc of live tracks and rarities.

Projects mastered by Adam Dempsey include Fish Boast of Fishing (Peter Knight, recorded by Robin Gray at Allan Eaton studio and mixed by Myles Mumford), Vague Cuts (mixed by Jez Giddings at Hothouse), Lanrae, The Audient, Zac Brennan, singles for The Fearless Vampire Killers, Butcher Blades/, Pony Face, debut EP for Broadway Sounds, the latest Going Down Swinging compilation, and a new single for both CD and 10 inch vinyl for Heirs (mixed by Neil Thomason at Head Gap).

The team also sends props to Sloth for re-capping the PSU’s for the mastering-modded Chandler LTD-2’s.

We’re proud to support independent radio and Melbourne’s thriving community radio scene, which has long played a vital role in supporting independent music.

Subscribe as an artist or band to Melbourne’s Triple R 102.7 FM during Radiothon and go into the running to win audio mastering with Adam Dempsey for an EP or single…

As part of his weekly ‘Howzat’ column, music journalist Jeff Jenkins tags along to a mastering session at Deluxe Mastering in Melbourne and chats with Tony “Jack the Bear” Mantz…

HIS MASTER’S VOICE
Look closely at your CD collection and you’ll find the credit: Mastered by Jack the Bear. He is ubiquitous. But who is Jack the Bear? Intrigued by the mastering process – Is it really a black art? – Howzat! asked to tag along when a mate was having his record mastered by Jack the Bear. I arrived early at his Brunswick studios, expecting a sterile environment, uptight and uninviting. “G’day, mate,” a large man says, hand outstretched…

Read the full piece here.

Following on from decades of CD Mastering in Melbourne, the current Deluxe Mastering studios recently marked five years in operation. How did we celebrate? By remaining bunkered down at “work”, mastering and relishing more great music:

Tony “Jack the Bear” Mantz has been keeping out of trouble mastering releases for Ganga Giri, Matt Van Schie, Feenipawl, Tonite Only, Matt Sonic, Dinkybike, The Scarlets, Kid Kenobi, Bass Kleph, Cave Of The Swallows, Dead Lovers Lane, Josh Raffaut, Polar Nation, Dead City Ruins, PurEnvy, Jane Walker, The Latency (Canada), Polar Nation, Delta Riggs, P’nau, Choose Mics, Radio Ink, Syntax, The Villains Lair, The Once Overs, Jump Jump Dance Dance, Itch-E & Scratch-E, Pretty Dulcie, David Cosma, fRew, The Exchange (USA), and James Harcourt (UK).

Projects mastered by Adam Dempsey include the new ‘Raiders’ single and EP for Owl Eyes mixed by Jan Skubiszewski (Jackson Jackson, Kate Vigo, and including bass by Jet’s Mark Wilson), Dead Parties (Etienne Mamo of The New Black, and mixed by Michael Badger of the Demon Parade), albums for The Fearless Vampire Killers (engineered by Michael Badger at Soundpark), Vague Cuts (engineered by Jez at Hothouse), Residual (Peter Knight and Dung Nguyen of Way Out West), Mushroom Horse, Fixed Error, debut album of thick guitar pop tones from Drawing Arcs (recorded and mixed by Brent Punshon at Head Gap), 7 inch singles for Raoul McLay, and EP’s for Hyfrydol and Indigo & the Bear (engineered by Dave McCluney at Atlantis Sound).

Thanks to all who’ve been part of our services over the past five years, having us play a role in their releases. Here’s to many more years of great music ahead, continuing to deliver the best in audio mastering service and experience with a musical sensitivity at competitive, all-inclusive rates.

For all your CD mastering, online mastering or vinyl mastering needs, simply call us on +61 (3) 9386 6698 or contact us online here.