Kicking off 2016, and with the Deluxe Mastering facility’s 10 year anniversary coming up in April, Jack the Bear has mastered projects for Eat The Damn Orange, HeadtorcH, Daniel Kirkland, Speedracer, Cog, Disco Is Dead, From Oslo, and Freeza Push Start Battle of the Bands winner The Bean Project.
Adam Dempsey has been flat out mastering singles for Dear Plastic, Baby Blue, Burrowing (Norway), Eilish Gilligan, Tetrahedra, and Demi Louise (entering the AMRAP regional airplay charts Top 10), remixes by Yeo for Emma Louise, and Jack Stirling, EP’s for Hoodlem (see below), LN3WLF, and Tanzer (for digital and vinyl), and albums for Daniel Champagne (recorded live in the studio by Duke David Sparks, mixed by Sam Hannan), Amistat (engineered and mixed by Matt Neighbour at Sing Sing), The Weeping Willows (engineered and mixed by Ryan Freeland in LA), a fourth album for Way Out West (mixed by Myles Mumford), Jane McArthur’s debut album of soulful tunes from various studios and engineers recorded throughout 2015, and an Elissa Goodrich contemporary jazz percussion album as part of an installation at Heide Museum of Modern Art sculpture park – the album getting great feedback from ABC Radio National, PBS, 3MBS, and Triple R (and yet again proving that natural dynamic range over “loudness” translates well to airplay).
This time around, when not mixing, Andrei Eremin has been mastering new releases for LANKS, Fortunes, Luboku, Albert Sorenson and Annie Bass.
From all at Deluxe Mastering, thank you to all clients for having us on board with their projects this year. Here’s to a healthy, safe and musically prosperous festive season and new year ahead. We encourage you to go for the gift of music: take someone out to a gig, buy music lessons, support a local radio station or an independent artist’s new release. With avenues such as Bandcamp it’s never been simpler to find new music, to pre-order vinyl or CDs, or gift a download to someone in need. (tip: the downloads sound better than web streaming!).
We’re still on board for mastering sessions including from early Jan.
Tony “Jack the Bear” Mantz has been mastering for Acolyte, Black Aces, the Blancos, Citizen Kay, Crooked Colurs, Desert Bones, Levingstone, Neighbourhood Youth, and continuing his motivational speaking engagements – look out for more in the new year.
Adam Dempsey is set to donate mastering time to prize winners of this year’s Triple R Radiothon, PBS FM’s Radio Festival, and the winner of the Darebin Music Feast Songwriters Award (congrats to Mabel Windred-Wornes of Charm of Finches!).
Mastering has included a Christmas single from Burrowing (Norway), and releases from Mitch Power (produced by Jeff Lang), Brian El Dorado (tracked live to 24-track tape by Fraser Montgomery at The Aviary), the debut EP for Vinten (produced by Nick Huggins), a single for Brisbane band Devel, new albums for Michael Plater (engineered and mixed by Neil Thomason at Headgap), new singles for Hoodlem, and Tetrahedra (see their single-take video below), as well as checking a steady run of clients’ vinyl test pressings and being increasingly impressed with the quality (mastered with full dynamic range and to high resolution always!).
Andrei Eremin has been mastering Charles Murdoch’s debut LP, a new mixtape for Clever Austin (aka. Perrin Moss from Hiatus Kaiyote – Grammy Award nominees for their album ‘Breathing Underwater’), plus new releases from Slumberjack, Elizabeth Rose, Kllo, Cleopold, Anatole, Super Magic Hats, Rainbow Chan, Leisure Suite, Rat & Co, Ara Koufax, Planète, Brightly, Tashka and some new original material of his own.
Adam Dempsey‘s been mastering new releases for Broadway Sounds (remixed by Tim Shiel), Dear Plastic, Dreamcoat, Grand Pavilion, The Orbweavers, Sirens (UK), a remix for Eleanor Dunlop, the epic debut album for Mayfair Kytes, and digital and 7 inch vinyl releases for The Cactus Channel featuring Chet Faker, Frida, and The PutBacks – all out via Hope Street Recordings.
Andrei Eremin has found himself mastering international bonus tracks for Hiatus Kaiyote’s recent album, as well as new releases for Japanese Wallpaper, Fractures, Banoffee, Foreign/National, Milwaukee Banks, Leisure Suite, Golden Vessel, EMERSE, Martin King, Queen Magic and Anatole. Andrei also scored his first #1 record, with Charlie Lim’s Time/Space racing to the top of the Singaporean charts, plus new music video for ‘Anhedoniac’ from his debut EP ‘Pale Blue’:
Jack the Bear has been working on projects for The Hunted Crows, Ghost Loft, Black Aces, Icecream Hands, Cairo Knife Fight, and Jeff Lang.
Adam Dempsey clocked up 20 years of being paid to listen to music, and has been busy mastering for Astro & The Ages, Cabbages & Kings, Chris Matthews (WA), Jane McArthur, Mayfair Kytes, Nick Batterham, Rich Davies, Sex On Toast, Simon Hudson, Taxidermy Hall, debut EP for Tiny Little Houses, a new single for Yeo, and remastering Lisa Salvo’s debut album (produced with Joe Talia and Peter Knight) for vinyl.
Andrei Eremin has found himself mastering debut records for Wafia, Singapore’s very own Charlie Lim, as well as tracks from LANKS, JP Klipspringer and even an EP of his own original music.
The team have also put a Dangerous Music BAX EQ through its paces and decided it’s a keeper.
Tony “Jack the Bear” Mantz has been keeping himself out of trouble mastering records for Fuck The Fitzroy Doom Scene, Stella Angelico, US rapper Yah Supreme, British India, The Captives EP for vinyl (produced by Tom Larkin), Ghostloft, Cheeky Goose, Dave Wright, Chris Cavell, Soulenikoes, Weekend People, Kinetic, Ali Ferrier (produced by Jef Lang), American electronic outfit Watercolors, Let’s Not Pretend, amongst many others.
Adam Dempsey has been head down, ears up, mastering releases for Alma Mater, Amy Alex, Blackwood Jack, Cabbages and Kings, Crayon King, Emma Chalmers, Dreamcoat, Jimmy Dowling, The Guilts, Hey Frankie, Jukai Forest, Lisa Salvo, Mayfair Kytes, Pepperjack, Porcelain Pill, Raised By Eagles (for CD, digital & vinyl), Sleepy Dreamers, Simon Hudson, James Teague, Thelma Plum remixes, Tora (CD, digital & vinyl), Udays Tiger, Voix D’or, Yeo, and Youngs.
This time round Andrei Eremin has been busy mastering a Vevo special for Chet Faker, as well as new releases for Loon Lake, LUCIANBLOMKAMP, Rat & Co, I’lls, Klo, Montgomery, LANKS, Leaks, Kalacoma, Sunbeam Sound Machine, Tiger Choir, Wayfarer and many more. The vinyl resurgence is alive and well – at least a third of these specifically mastered for the medium.
Phew – an amazingly busy time, with thanks to our recent mastering clients and their diverse array of new releases:
Tony “Jack the Bear” Mantz has been busy mastering projects for Slop Rock, Blind Munkee, Little Miss, My Old Dutch, Destroy She Said, Wikked Bliss, Fuck The Fitzroy Doom Scene, The Seven Ups, Andras Fox, Feedback Scars, Aerial, Luna Ghost, as well as getting ready to get his skydiving licence…
Adam Dempsey mastered releases for Olivers Army (engineered & mixed by Roger Bergodaz), post-rock trio Goodbye Enemy Airship (engineered & mixed by Neil Thomason at Head Gap), Tania Bosak & The Barefoot Orchestra (engineered & mixed by Myles Mumford), hip hop artist Bam Bam (mixed by Phil Threlfall), The Bon Scotts, Eleanor Dunlop, Jadida, James Parry, Ellen Burbidge, Chris Sprake, The Infants, vinyl remasters for CactusDemonDoom and winners of this year’s Australian Battle of the Bands Dear Plastic, a remix for Allday, and a Daktyl (UK) remix for Youngs (formerly I’ll Be An Indian).
Andrei Eremin has continued working on the upcoming Miami Horror record, as well as mastering a new single for recent triple J Unearthed High winner Japanese Wallpaper, a #1 Hype Machine hit by Brisbane singer-songwriter Wafia, and new music from Oisima, I’lls, Leaks, Foreign/National, Sunbeam Sound Machine, Stockades, Katie Wighton, Milwaukee Banks and more.